Garden Ware Plate 23

Dinner Plate 23

$60.00

Acclaimed conceptual artist Bruce McLean created a vast body of work titled Garden Ware that was on exhibition at the Victoria and Albert Museum in London 2017. The collection included one-off earthenware creations by McLean, including vases, bowls, platters. Stemming from the series of 50 Platters, McLean selected 4 artworks that have been reproduced as silk screen decals and now adorn dinner plates.

Weight 0.65 kg
Diameter ø

28.5 cm

Collection

Garden Ware Tableware

Designer

Bruce McLean

Made In

Stoke-on-Trent, England

Composition

Fine bone china, silk screen decal, glazed

Care

Microwave and dishwasher safe

  • Bruce McLean

    MEET THE DESIGNER

    Bruce McLean

    Bruce McLean (b. 1944) studied at Glasgow School of Art from 1961 to 1963. From 1963 – 66 he attended St Martin’s School of Art, London, where he famously reacted against the formalist academic teaching of teachers such as Anthony Caro, Phillip King and William Tucker. In 1966 he abandoned conventional studio practice for impermanent sculptures made using materials such as water, along with performances of a generally satirical and subversive nature. In ‘Pose Work for Plinths I’ (1971; London, Tate), photographs record a performance in which McLean appeared in a variety of different positions on plinths to parody the poses of Henry Moore’s celebrated reclining figures. When in 1972 he was offered an exhibition at the Tate Gallery, he opted, with mocking intent, for a retrospective lasting only one day. He has continued to use humour to confront the pretensions of the art world and wider social issues such as the nature of bureaucracy and institutional politics. From the mid 1970s, while continuing to mount occasional performances, McLean turned increasingly to painting and most recently to ceramics.

    McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin-Gropius-Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949-79, 1985 he was awarded the John Moores Painting Prize. Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art,

    The Henry Moore Foundation, Hertfordshire (2014). First Site, Colchester (2014) and ‘A Hot Sunset and Shade Paintings’ Bernard Jacobson (2016).

    McLean’s work is in private and public collections around the world.

Innovative Designers.

Industrial Craftsmanship.

5 Generations of Knowledge.

Essential objects and special pieces hand crafted by our master potters in Stoke-on-Trent.